Monographs and Solo Exhibition Catalogues

Four-fold brochure 15 x 42 cm open, 15 x 10.5 cm featuring a concertina fold, b/w illustrations, inserted in invitation card. Text by C. Lonzi (republished in Id., Scritti sull’arte [Milan: et al./Edizioni, 2012], pp. 414-415), biographical note, list of works exhibited.

22 x 15 cm, 8 pp. loose, n. pag.; loose plate 22 x 15 cm b/w with sepia toning. Number 119 in the series of catalogues published by the gallery. Biographical note, text by C. Lonzi (republished in Id., Scritti sull’arte [Milan: et al./Edizioni, 2012], pp. 451-452), list of works exhibited. Inside, full-page plate featuring two portraits of the artist in his studio by A. Piva: on the recto seen from the front, on the verso seen from behind.

Three-fold brochure 16.5 x 49.5 cm open, 16.5 x 16.5 cm roll folded, b/w illustration. Portrait of the artist taken by A. Piva, text by G. Celant, and biographical note. Inside, list of works exhibited on loose sheet of tracing paper and invitation-poster folded in four.

Sheet 40 x 30 cm folded in four, 4 pp., b/w illustrations. Reproductions of several exhibited works, text by the artist, biographical note, list of works exhibited.

Three-fold brochure 16.5 x 39.5 cm open, 16.5 x 13.5 cm roll folded, with b/w reproduction of 2121969, 1969 and biographical note. Inside ten loose plates with notes by the artist overlapping the full-page reproductions of the works exhibited.

Two-fold brochure, no illustrations. Number 13 in the series of catalogues published by the gallery. Artist’s notes on the exhibition and on the works exhibited, text by M. Volpi Orlandini.

Sheet 40 x 60 cm folded in eight, horizontal layout on the recto, vertical layout on the verso, b/w illustrations. Reproduction of six snapshots taken by A. Piva showing the artist as he makes Vedo (la decifrazione del mio campo visivo) in his studio in July 1969, and of four works on display, text by M. Volpi Orlandini, artist’s notes on the exhibition and on the works exhibited.

21.5 x 15.5 cm, 24 pp. loose, n. pag., no illustrations. Number 162 in the series of catalogues published by the gallery. Text by the artist divided into ten lines arranged at the centre of ten odd pages; nine of the pages also bear the name of the imaginary author and title written on the verso of nine editions of the work Un quadro, 1970.

24.5 x 17.5 cm, 128 pp., b/w illustrations, in Italian and English. Volume published on the occasion of the solo exhibition at the Sonnabend Gallery, New York, November - December 1972. Dust jacket by the artist with a photograph taken by A. Piva, in which he is seen holding up in front of his face an open book with a white cover featuring the name of the author, the title, and the publisher. Text by the author, with numerous artist’s statements added, anthology of works 1960-72, bio-bibliographical appendices.
Republication in its entirety of the author’s essay in Giulio Paolini 1960-1972, exhibition catalogue, Milan, Fondazione Prada, 2003. Reprint with a new dust jacket designed by the artist (Cinisello Balsamo: Silvana Editoriale, 2019).

27.5 x 20.5 cm, 16 pp. perforated and n. pag. held with white plastic binding bar, b/w illustrations, in Italian and English. Cover with full-page b/w reproduction of a detail from Embarquement pour Cythère by Jean-Antoine Watteau (1718, Schloss Charlottenburg, Berlin). Interview with the artist by A. Bonito Oliva (1971), artist’s note on Apoteosi di Omero, 1970-71, exhibition history.

23 x 16.5 cm, staple binding, 8 pp. n. pag., b/w illustrations, in Italian and German. Number 62 in the series of catalogues published by the gallery. Artist’s note on the cycle Idem, reproductions of Idem IV (regesto delle opere come motivo a figure geometriche sparse), 1974, exhibition history.

22.6 x 22.9 cm, 174 pp., b/w illustrations. Number 30 in the series Quaderni published by the Centro Studi e Archivio della Comunicazione CSAC. Monograph published on the occasion of the solo exhibition at the Palazzo della Pilotta, Parma, March - April 1976. Texts by M. Fagiolo and A.C. Quintavalle, critical anthology 1966-75 (including texts by C. Lonzi [1966], P. Fossati [1967], G. de Marchis [1968], N. Ponente [1970], M. Bandini [1972], T. Trini [1973], C. Huber [1974], M. Calvesi [1973], M. Volpi Orlandini [1973], C. Terenzi [1973], H. Martin [1974], F. Menna [1974], R. Barilli [1975], G.B. Salerno [1975], and interview by A. Bonito Oliva [1971]), anthology of works 1960-76, bio-bibliography.

Card-stock box 20.5 x 16 x 2 cm. On the lid text by J. Cladders, in German; inside the lid, specular reproduction in negative of the recto of the first plate; on the bottom of the box, specular reproduction in negative of the verso of the last plate. Inside, sixteen loose b/w plates of variable size with reproductions of the works exhibited in chronological order. On the verso, each plate features the signature, title, and date in the artist’s handwriting.
Box catalogue in conformity with the series published by the museum, contents conceived by the artist.

26 x 21 cm, 66 pp., b/w illustrations, in German. Cover design by the artist with full-page b/w reproduction of Proteo (III), 1971, extending over front and back covers, and dust jacket made of tracing paper with drawing ‘conversing’ with the work illustrated. Preface by E. Jahn-Fehsenbecker, anthology of works 1960-76 with commentary by P. Maenz, extracts from writings by the artist and from texts by G. Celant, J. Cladders, C. Lonzi, and T. Trini, bio-bibliography.

Three-fold brochure 23 x 49.7 cm open, 23 x 16.5 cm roll folded. Artist’s note on the cycle Idem, preceding the text by M. Diacono.

29 x 21 cm, staple binding, 33 pp., b/w and gold illustrations, in Italian and French. Introduction by S. Pagé, text by the artist on the first three parts of the cycle Del bello intelligibile, 1978 documented by three details and six studies, bio-bibliography.

Hardcover version 21.5 x 15.5 cm, paperback version 21 x 15 cm, 128 pp., b/w illustrations. Number 5 in the series of monographs published by the gallery. Cover design by the artist with reproduction of the main figure in De Pictura, 1979 wearing a toga consisting of details of colour images from paintings by Titian and Veronese. Texts by C. Bertelli and G. Vattimo; sections Parnaso, De Pictura, and Liber Veritatis corresponding to the three large-scale works with the same title exhibited and herein illustrated; each section presents nine preliminary studies that cite the same number of works by the artist, in turn documented on pages with a black background; appendix with texts by E. Gombrich, L.B. Alberti, and D. Cecchi, bio-bibliographical appendices.

27.5 x 21 cm, 68 pp., b/w and col. illustrations, in Dutch and English. Co-producecd with The Museum of Modern Art, Oxford, the following stop on the travelling exhibition. Texts by H. Szeemann and D. Elliott, anthology of works 1960-80 with artist’s notes and comments by P. Frey, catalogue of works exhibited with artist’s notes, bio-bibliographical appendices.

28.5 x 21.5 cm, 32 pp., b/w illustrations. Volume published on the occasion of the Premio Bolaffi 1980 (Bolaffi Prize) awarded to the artist. Text by F. Menna (1978), anthology of works 1960-79, bio-bibliography.

21 x 29.7 cm, 40 pp. n. pag., b/w illustrations, in German, Italian, and English. Cover design by the artist with reproduction of the main figure in Hortus clausus, 1981, associated with the title of the work itself. Artist’s note on the work exhibited, reproduction of eleven Studi per “Hortus clausus”, 1981, accompanied by fictitious titles, text by M. Kunz.

21 x 29.7 cm, 64 pp., b/w illustrations. Volume published on the occasion of the solo exhibition at the Kunstmuseum Luzern, Lucerne, 29 March - 3 May 1981, as a complement to the exhibition catalogue. Text by M. Wechsler (in German, Italian, and English), anthology of works, writings, and interviews 1963-80 (in Italian and German), bio-bibliography.

24 x 21.5 cm, staple binding, 16 pp. n. pag., b/w illustrations. Number 2 in the series Quaderni didattici published by the museum. Foreword by G. de Marchis, introduction and biography by I. Panicelli, artist’s note on the work exhibited, exhibition views by the Gabinetto Fotografico della Galleria Nazionale d’Arte Moderna.

19 x 21 cm, staple binding, 10 pp. n. pag., b/w and col. illustrations. Artist’s note on the work exhibited, photographs of a preliminary installation of the work in the artist’s studio taken by P. Mussat Sartor, portraits of George Brummell and Raymond Roussel, full-page reproduction of ten Studi per “La caduta di Icaro”, 1981, note by Z. Birolli on the exhibition project.

24 x 15.3 cm, 48 pp., no illustrations. Conversation between the artist, B. Corà, and the audience.

21 x 30 cm, 126 pp., b/w and gold illustrations, in German and in Italian. Co-produced with Von Der Heydt-Museum, Wuppertal, and Neuer Berliner Kunstverein, Berlin, the following stops on the travelling exhibition. Cover design by the artist with full-page reproduction of Studio per “Del bello intelligibile. Parte quinta: ‘Museuminsel’”, 1982, on a golden background. Foreword by U. Weisner, G. Aust, L. Schauer, and W. Schmied, texts by E. Franz and W.M. Faust, anthology of works 1961-81, text by the artist on the five parts of the cycle Del bello intelligibile, reproduced in their entirety along with twelve Studi per “Del bello intelligibile”, 1978-82, texts by C. Bertelli (1979), S. Pagé (1978), G. Celant (1981), note by E. Franz on the exhibition design in Bielefeld, bio-bibliographical appendices.

21 x 15 cm, 160 pp., b/w illustrations, in French and English. Text by R. Denizot, sequence of plates conceived by the artist, consisting of an insert of the image of an ancient sculpture in the foreground against the backdrop of the ruins of the Library of Pergamum.

Two-volume box set 27.5 x 23 x 2 cm designed by the artist with reproduction of Mimesi, 1975, on the front side reproduction of one of the two casts in negative, on the back side a specular reproduction of the same cast in positive; when inside the box, the two volumes show the artist’s signature on the spines. Enclosure with French translation.
Vol. 1 Figures / Intentions: 96 pp., b/w illustrations; preface by J.L. Louis Maubant, bio-bibliographical appendices, artist’s note on the catalogue, anthology of writings and interviews 1963-83 (the “intentions” evoked in the title of the book) overlapping illustrated pages (the “figures” mentioned in the title), list of the sources of the texts and the images reproduced. Vol. 2 Images / Index: 160 pp., b/w illustrations; the nine chapters, corresponding to the nine sections of the exhibition (the “index” mentioned in the title), include an anthology of works and notes by the artist 1960-83 (the “images” mentioned in the title) and a list of the sources of the texts and images reproduced.

29.5 x 20 cm, staple binding, 20 pp. n. pag., b/w and col. illustrations. Cover design by the artist with colour reproduction of a detail from the exhibition poster. Text by F. Poli, exhibition history. The pages of the text are interspersed with duodecimo on coated paper, including a selection of works and notes by the artist 1980-83, alternated with full-page colour plates of five other details from the exhibition poster.

24 x 21.5 cm, 76 pp., b/w and col. illustrations. Texts by B. Mantura, A. Mammì, and I. Panicelli, list of works exhibited, text by the artist on Casa di Lucrezio, 1981-84, anthology of works referred to the works exhibited, critical anthology 1966-84 edited by A. Imponente (including extracts from texts by C. Lonzi [1966], G. Celant [1972], M. Volpi Orlandini [1973], T. Trini [1973], M. Calvesi [1973, review], I. Calvino [1975], F. Menna [1975, review], G.B. Salerno [1975], R. Barilli [1975, review], G. Briganti [1976, review], M. Fagiolo [1976], A.C. Quintavalle [1976], G. Vattimo [1979], F. Poli [1984], F. D’Amico [1984, review]), and chronology of the sets created for the theatre by A. Mammì.

31.5 x 22 cm, 32 pp., b/w and col. illustrations, in French. Number 21 in the series Repères. Cahiers d’art contemporain published by the gallery. Cover design by the artist with colour reproduction of the print titled 14.9.84, 1984, in which the “4” in “84” is replaced by a “5”, in order to update the year of the exhibition. Texts by J.L. Maubant and D. Soutif, exhibition history, list of works exhibited.

23 x 16.5 cm, 224 pp., b/w illustrations. Twelfth release in the series Artisti contemporanei published by Agenzia Editoriale Essegi, Ravenna. Part one Il percorso with texts by B. Corà and S. Vertone, anthology of works and writings by the artist 1961-85; part two Materiali with anthology of writings and interviews 1963-84; part three Bibliografia with critical itinerary curated by M. Bandini and critical anthology 1965-84 (including extracts from texts by C. Lonzi [1965, 1966], G. Celant [1967, 1972], M. Volpi Orlandini [1970], T. Trini [1973], M. Calvesi [1973, review], R. Barilli [1974], I. Calvino [1975], F. Menna [1975, review], M. Fagiolo [1976], A.C. Quintavalle [1976], G. Briganti [1976, review], M. Diacono [1978], G. Vattimo [1979], H. Szeemann [1980], M. Kunz [1981], M. Wechsler [1981], B. Corà [1983, poetic composition], B. Mantura [1984], F. Poli [1984], G.C. Argan [1984, review]), bio-bibliographical appendices.

27 x 23.8 cm, 76 pp., b/w illustrations, in French. Volume published on the occasion of the solo exhibition at the Palais des Beaux-Arts, Charleroi, February - March 1986. Text by the author on the work La Doublure, 1972-73.

Four-volume box set, black cardboard version 24 x 24 x 4 cm, white cardboard version 23 x 23 x 3 cm. Each volume corresponds to a section of the exhibition and is distinguished by its colour and the image reproduced on the dust jacket: on the front side a view of the space without the works, on the back side a view of the same space with the works installed; in German.
Vol. 1 Lo Studio / Das Atelier: 60 pp., b/w and col. illustrations; foreword and text by G. Inboden, anthology of works and notes by the artist 1960-85. Vol. 2 Il Museo / Das Museum: 56 pp., b/w and col. illustrations; text by M. Scholz-Hänsel, anthology of works 1967-86, anthology of writings and interviews 1973-85. Vol. 3 Il Luogo / Der Ort: 56 pp., b/w and col.  illustrations; text by M. Bandini, anthology of works 1963-86, bio-bibliographical appendices. Vol. 4 La Visione / Die Vision: 56 pp., b/w and col. illustrations; text by J. Meinhardt, anthology of works and notes by the artist 1969-86, list of works exhibited.

25 x 23 cm, 40 pp., b/w and col. illustrations, in French and Dutch. Text by D. Zacharopoulos, exhibition views by W. Riemens, reproduction of eight Studi per Abat-jour (Giochi proibiti), 1986, text by the artist, afterword by A. van Gemert.

25.5 x 21.5 cm, 20 pp. n. pag., b/w illustrations, in English. Grey dust jacket with title in white lettering, white cover with title in grey lettering. Text by C. Owens, catalogue of works exhibited.

27 x 21 cm, 80 pp., b/w and col. illustrations, in French. Introduction by H.C. Cousseau, artist’s note on the exhibition and writings from 1986, texts by A. Bonfand, C. Strasser, P. Boutibonnes, and H.C. Cousseau, site plan of the exhibition and list of works exhibited, bio-bibliographical appendices; exhibition views by B. Voisin and P. Jean separating the texts.

29.7 x 21 cm, 62 pp., b/w and col. illustrations, in Japanese. Cover design by the artist with reproduction of Mimesi, 1975-76, extending from the back cover to the front cover including the spine. Foreword by K. Takagi, artist’s note (in Italian), texts by J.L. Maubant (in French), and F. Nanjo (in English), extract from a text about the artist by H. Szeemann (1980, in English), anthology of works 1960-86, text by the artist on Japanese art (1983, in Italian), catalogue of works exhibited, bio-bibliographical appendices.

21 x 21 cm, staple binding, 21 pp. n. pag., b/w and col. illustrations, in German. Cover design by the artist with title in a circle gradually fading from grey to black. Text by W.M. Faust, exhibition views by B. Schaub.

28 x 25 cm, 30 pp., b/w illustrations. Introduction by G. Lonardi Buontempo, texts by B. Corà and by the artist, reproduction of nine Studi per "Signore e Signori…", 1988. Inside, loose colour plate 27.2 x 49.5 cm open, 27.2 x 27.2 cm folded, with full-page reproduction of two details from Signore e Signori..., 1988.

19 x 24 cm, 22 pp., b/w and col. illustrations. Text by G. Celant, writings by the artist 1985-88, artist’s note on Mnemosine (Les Charmes de la Vie/9), 1981-88, and reproductions related to the theme of this work. At the back of the volume concertina foldout with eight panels featuring a colour reproduction of Studio per “Mnemosine (Les Charmes de la Vie/9)”, 1988.

24 x 17 cm, 48 pp. n. pag., of which two featuring double format and folded, b/w and col. illustrations. Extract from a text by the artist, catalogue of works exhibited.

27 x 23 cm, 126 pp., b/w and col. illustrations. Texts by A. Monferrini, G. Vattimo, and S. Vertone, text by the artist on the exhibition and other writings 1987-88, Catalogo section divided into seven chapters corresponding to the seven works displayed on the wall surrounding the exhibition, with catalogue of the works exhibited and notes by the artist; critical itinerary curated by M.G. Tolomeo Speranza, critical anthology 1965-87 (including texts by C. Lonzi [1965, 1966], extracts from texts by G. Celant [1967, 1972], M. Volpi Orlandini [1970], M. Calvesi [1973, review], I. Calvino [1975], A.C. Quintavalle [1976], G. Vattimo [1979], B. Mantura [1984], A. Mammì and I. Panicelli [1984], A. Imponente [1984], B. Corà [1985], S. Vertone [1985], C. Owens [1987], H.C. Cousseau [1987], P. Boutibonnes [1987]), bio-bibliographical appendices. Folded insert at the back of the volume with site plan of the exhibition.

30.3 x 20 cm, 68 pp., b/w and col. illustrations. Cover design by the artist with mise en abyme of the cover of the French magazine L’Imprimeur. Procédés de gravure et d’impression (Paris, December, 1936), reproduced in colour. Foreword by the publisher, artist’s note, catalogue of the artist’s graphic work in publishing 1963-89, selected bibliography.
Subsequent loose enclosure with updates 1989-95 (8 pp.) published by the same publisher in 1995.

28.8 x 21 cm, 180 pp., b/w and col. illustrations. Enclosure with English translation. Cover design by the artist showing nine planets orbiting on the reproduction of one of his drawn portraits, overlapping a stack of blank sheets, with a drawing pin in the area corresponding to his left eye. Text by the author, anthology of works 1960-90, extracts from three writings by the artist, bio-bibliographical appendices.

27.7 x 21 cm, 40 pp., b/w and col. illustrations. Artist’s note on Rialto, 1990, reproduction of eight Studi per “Rialto”, 1990, and of two exhibition views by P. Mussat Sartor, bio-bibliography.

28 x 21.5 cm, 112 pp., b/w illustrations. Introduction by P.G. Castagnoli, text, by F. D’Amico, text by the artist on the exhibition, list of works exhibited, exhibition views by P. Mussat Sartor divided into eight numbered sections, corresponding to the eight rooms in the exhibition, bio-bibliography.

21 x 15.2 cm, 182 pp., b/w and col. illustrations. Interview with the artist by A. Bonito Oliva (1971-73), text by the artist on the work Apoteosi di Omero, 1971, texts by T. Trini (1976), F. Menna (1978), and C. Bertelli (1979), anthology of the artist’s works included in Giorgio Marconi’s collection, exhibition history.

18.5 x 18.5 cm, 24 pp. b/w illustrations. Text by Giorgio Verzotti, exhibition views by P. Pellion, bio-bibliography.

24 x 17 cm, 112 pp., b/w and col. illustrations, in Italian and English. Introduction by F. Mancini, text by F. Poli, writings by the artist on theatre, Teatro delle immagini section with works on theatrical themes and artist’s notes 1963-90; Le immagini a teatro section with anthology of theatrical performances and artist’s notes 1969-89; Cronologia section with chronology of the sets created for the theatre by A. Mammì; Opere esposte section with catalogue of works exhibited.

29.5 x 21 cm, 68 pp., b/w and col. illustrations, in French, Italian, and English. Text by F. Poli, poem by Y. Peyré, illustrated list of works exhibited, biography by F. Poli, exhibition history.

30.7 x 20 cm, 121 pp., b/w and col. illustrations. Cover by the artist with a double specular reproduction of the drawing of a male figure intent on using a magnifying lens to observe; a circular cut-out at the centre reveals a detail of the constellation of the Painter, as if it were viewed through the optical instrument. Texts by the artist and M. Bertoni, collection of quotes from German authors edited by G. de Vries, catalogue of prints 1967-92 with notes by the artist.
Subsequent loose enclosures with updates 1992-95 (16 pp.) and 1996-2005 (24 pp.) published by the same publisher in 1995 and in 2005, respectively. 

24 x 24 cm, 80 pp., b/w and col. illustrations. Complementary volume to the collection of writings by the artist published by Galleria Locus Solus in 1993. Cover design by the artist featuring a black square with the name of the gallery in white overlapping at an oblique angle a dark grey square of the same size. Catalogue of works exhibited divided into eight sections, corresponding to the eight stages of the one-year exhibition project.

32.2 x 24 cm, 36 pp., b/w and col. illustrations. Number 1 in the series Pinacoteca published by Maschietto & Musolino, Siena. Texts by L. Cherubini and by the artist, overall colour combinations of the flags of Siena’s seventeen contrade, reproduction of seven Studi per “L’opera in palio”, 1994.

29 x 24 cm, 96 pp., b/w and col. illustrations. Texts by V. Baradel, F. Poli, and by the artist, anthology of works 1960-95 interspersed between the texts, list of works exhibited, photographs of a preliminary installation of Essere o non essere, 1995 taken by P. Mussat Sartor, texts by L. Cherubini and P.L. Fantelli, biographical note by D. Lancioni.

22.5 x 17.2 cm, 372 pp., b/w illustrations. Selection of writings by the artist and complete collection of interviews 1963-95, text by the editor, bio-bibliographical appendices.

32 x 22 cm, staple binding, 16 pp., b/w and col. illustrations. Text by T. Lorenzelli, exhibition views by M. Piazza, reproduction of the project for the installation of the work exhibited, biographical note.

30.5 x 21 cm, 104 pp., b/w and col. illustrations. Introduction by J.P. Angremy (in French), letter to the artist by A. Pacquement (in French), site plan of the exhibition, text by M. Fagiolo dell’Arco, writings by the artist, catalogue of works exhibited with notes by the artist, biographical note by D. Lancioni.

20.8 x 14.8 cm, 79 pp., b/w and col. illustrations, in French. Text by the author, illustrated documentation of the permanent works in public spaces 1983-97 with notes by the artist’s, selected bio-bibliography.

30 x 24 cm, 40 pp., b/w illustrations. Text by the artist on the work Esposizione universale, 1992, documentation related to two previous versions of this one, reproductions of works by French artist Hubert Robert, architect Etienne-Louis Boullée, and of a section of the galleries inside the Crystal Palace in London, selection of works and studies referring to the works exhibited, texts by S. Risaliti and L. Cherubini, biographical note by S. Risaliti.

28.5 x 21 cm, 368 pp., b/w and col. illustrations, in German and Italian. Introduction by C. Steinle and P. Weibel, texts by P. Weibel, F. Poli, G. Celant, C. Bertola, M. Disch, and by the artist, list of works exhibited, anthology of works 1960-97, biographical note by D. Lancioni, bibliographical appendices by M. Disch.

29.7 x 21 cm, 32 pp., b/w and col. illustrations. Volume published on the occasion of the solo exhibition at the Galleria Massimo Minini in Brescia, December 1988 - January 1999. Correspondence between the three authors and reproductions of several drawings and works on paper.

24 x 17 cm, 52 pp., b/w and col. illustrations, in Italian and English. Text by the artist on Padiglione dell’Aurora, 1998-99, text and biographical note by G. Verzotti.

28 x 21 cm, 160 pp., b/w and col. illustrations. Texts by P.G. Castagnoli, D. Soutif, and by the artist, list of works exhibited, Ultime di cronaca section with anthology of works and notes by the artist 1993-99, text by M. Disch (1998); Questa esposizione section with photographs of the previous venue of the exhibition in Graz taken by Croce & Wir, and exhibition views of the Turin venue by P. Mussat Sartor; Il tempo di domani section with reproductions of studies and projects underway, with notes by the artist, biographical note by D. Lancioni, bio-bibliographical appendices by M. Disch.

13 x 18 cm, staple binding, 16 pp. n. pag., b/w and col. illustrations, in Italian and in English. Text by E. Cicelyn, reproductions of the basic drawing used for the work exhibited and of four Studi per “Da un momento all’altro”, 1999, bio-bibliography.

21 x 14.8 cm, staple binding, 32 pp., b/w illustrations, in Danish and English. Number 3 in the series Kunst i sammenheng (Art in context) published by the museum. Reproduction of L’altra figura, 1979-80 and text by J. Lund on the same work.

24 x 16.5 cm, 32 pp., b/w and col. illustrations, in Italian and English. Cover design by the artist with block printed drawing associating the protagonist of the cover of the French magazine L’Imprimeur. Procédés de gravure et d’impression (Paris, December, 1936), with the artist's own hand intent on drawing. Texts by the artist, S. Chessa, and M. Noire, anthology of works and notes 1996-2000, summary of prints 1996-2000, reproduction of four studies for the Einaudi publishing house logo.

28 x 21 cm, 120 pp., b/w and col. illustrations, in Italian and English. Cover design by the artist with full-page reproduction of a detail of the exhibition’s site plan against a blue background; in the white square in the middle, in the artist’s own handwriting, extract from his text published inside the catalogue. Texts by G. Cortenova, R. Barilli, L. Hegyi, M. Belpoliti, and R. Lombardelli, Le sette stanze dell’esposizione section with text by the artist and entries on the works exhibited by M. Disch, biographical note, bio-bibliographical appendices.

24 x 16.5 cm, 80 pp., b/w and col. illustrations. Text by A. Bonito Oliva, entries on the cycle of works Early Dynastic by M. Disch, text by the artist on the theme of the column and notes to the illustrated works, selected bio-bibliography.

22 x 14.5 cm, 84 pp., b/w and col. illustrations. Text by the artist on the exhibition, letter by the artist to the interlocutors involved in the exhibition project with list of the twelve venues included in the exhibition, text by D. Lancioni, reproduction of sixteen Studi per “Quadrante”, 2002, interspersed with the texts.

24 x 16.6 cm, 96 pp., b/w and col. illustrations. Texts by G. Vattimo, M. Bertoni, and by the artist, catalogue of works exhibited, selected bibliography.

21 x 14.7 cm, 148 pp., b/w and col. illustrations, in Italian and English. Number 7 in the series Quaderni del Corso Superiore di Arte Visiva published by Fondazione Antonio Ratti. Writings by the artist, texts by A. Vettese and G. Pietrantonio, illustrated documentation of the work exhibited, guide to the final exhibition of the Corso Superiore di Arte Visiva with entries by A. Daneri on the works made by each of the students; Conferenze aperte al pubblico tenute durante il Corso section with texts of the interventions by L. Vergine and M. Botta.

24 x 15.2 cm, 436 pp., b/w and col. illustrations, Italian and English editions. Foreword by G. Celant, reproduction of a childhood drawing by the artist and documents concerning the Premio Aurora he was awarded at eight years of age, writings by the artist related to the exhibition, reproduction of the work Ipotesi per una mostra, 1963, and of five Studi per “Ipotesi per una mostra”, 2003, exhibition views by A. Maranzano, site plan of the exhibition design. Text by G. Celant (republication in its entirety of the essay published in Id., Giulio Paolini, New York: Sonnabend Press, 1972), divided into seven chapters and interspersed with writings by the artist 1963-72 (integrated with several unpublished texts), an anthology of works and archive materials 1960-72, and extracts from texts by C. Lonzi [1965, 1966], G. Celant [1967, 1968], M. Volpi Orlandini [1968, 1970, 1971, 1972], M. Bandini [1969, 1971, 1972, reviews], list of works exhibited, bio-bibliographical appendices by M. Disch.

18.5 x 12.5 cm, 93 pp., b/w and col. illustrations, in Italian and English. Introduction by G. Busetto, text by the artist on the exhibition, exhibition views by L. Saggioro divided into three sections corresponding to the three works on display, text by C. Bertola, biographical note by M. Disch.

20.8 x 30 cm, 48 n. pag., col. illustrations. Texts by G. Verzotti, note by the artist on the exhibition, reproduction of the artworks involved by the artist in his exhibition and of the projects for his interventions, exhibition views by N. Eccher, biographical note.

28.5 x 21.5 cm, bound, 96 pp., b/w and col. illustrations, in German. Co-produced with Westfälisches Landesmuseum für Kunst- und Kulturgeschichte Münster, the following stop on the travelling exhibition. Letters written by the artist to D. Schwarz (in Italian), text by D. Schwarz, site plan of the exhibition, exhibition views by P. Mussat Sartor divided into nine chapters corresponding to the nine exhibition rooms, text by E. Franz, list of works exhibited with distinctions related to the two venues of the travelling exhibition, biographical note, selected exhibition history.

27.5 x 23 cm, 120 pp., b/w and col. illustrations, in Italian and English. Cover design by the artist with reproduction of Senza titolo, 2006 extended to the front flap, the front and back panel. Texts by G. Pietrantonio, G. Valagussa, E. Grazioli, A. Rabottini, and by the artist, exhibition views by A. Maniscalco divided into six chapters corresponding to the six sections of the exhibition, each of which accompanied by a text by the artist and reproductions of the respective works, biographical note by M. Disch, exhibition history.

22 x 22 cm, 96 pp., b/w and col. illustrations, in Italian and English. Texts by A. Ottani Cavina, E. Coen, and by the artist; Immacolata Concezione section with reproduction of a series of studies for Immacolata Concezione. Senza titolo/Senza autore, 2007-08, and exhibition views by A. Guerra; Immagini di ieri section with text by G. Grigolo, anthology of works 1973-92 related to the Studio G7 and views of the solo exhibitions held in the gallery (1975, 1984), biographical note by M. Disch.

Large sheet folded in half 42 x 29.7 cm, 4 pp. n. pag., b/w and col. illustrations. Forewords by J.C. Mosconi, C. Strinati, and A. Mattirolo, texts by A. Coliva and A. Bonito Oliva, note by the artist on the work exhibited.

Two-volume box set 29.5 x 25 x 9.3 cm designed by the artist with full-page reproduction of his hands holding a sheet of paper pierced by a pencil printed in positive on the front and in negative on the back. Cover design of both volumes by the artist with a pile of blank sheets at the centre and details of his works all around it, in the first volume against a white background, whereas in the second one against nocturnal cosmic background.
Vol. 1: 496 pp., b/w and col. illustrations; foreword by I. Gianelli, texts by the artist and the editor (in Italian and English), Catalogue Raisonné of works 1960-82. Vol. 2: 614 pp., b/w and col. illustrations, Catalogue Raisonné of works 1983-99, biography, exhibition history, bibliographical appendices.  

22 x 15.2 cm, 144 pp., b/w and col. illustrations. Conversation between the artist and R.S. Pecorara, text by the author on the topic of the artist’s studio.

23 x 15 cm, 88 pp., b/w and col. illustrations. Texts by A. Mattirolo, R.S. Pecorara, and C. Bertola, writings by the artist, site plan of the exhibition, reproduction of thirteen studies for the works exhibited, exhibition views by L. Romano, list of works exhibited and note by the artist on the exhibition, biographical profile.

22 x 21.2 cm, 72 pp., b/w and col. illustrations. Cover design by the artist with site plan of the exhibition space and drawing in red indicating the projection of the work exhibited. Texts by D. Lancioni, M. Disch, and by the artist, reproduction of fifteen plates used for the projection of the work exhibited and of five studies for the same work, exhibition views by C. Abate, biographical note by D. Lancioni.

16 x 10.2 cm, 44 pp. n. pag., b/w and col. illustrations. Text by L. Pratesi, views of the empty exhibition rooms taken by M. Sereni, writings by the artist, description and site plan of the exhibition, reproduction of four installation designs for Detto (non) fatto, 2010, and of twenty-four variations on the theme of the gilded frame, list of works exhibited.

28 x 24 cm, 64 pp., col. illustrations, in Italian and English. Text by the artist, Sulla soglia section with reproduction of eleven Studi per “Sulla soglia”, 2011-12; In mostra section with text by L. Pratesi separated by exhibition views by G. Benni; Retroscena section with text by I. Bernardi and M. Disch, list of works exhibited, biographical.

29.8 x 21 cm, 44 pp., b/w and col. illustrations. Text by M. Bruzzo Parodi, catalogue of works exhibited.

21 x 13.2 cm, 96 pp., b/w and col. illustrations, in Italian and English. Number 1 in the series In collezione published by the Fondazione Giulio e Anna Paolini. Cover design and concertina foldout at the back of the book by the artist; foldout with sequence of photographs showing the artist as he installs the model of the work Essere o non essere in his studio. Text by the author on Essere o non essere, 1994-95, afterword by M. Disch, appendices related to the work discussed (technical details, exhibition designs, bibliography, critical anthology).

28 x 24.2 cm, 168 pp., b/w and col. illustrations, in Italian and English. Co-produced with Whitechapel Gallery, London, following stop on the travelling exhibition. Introductions by G.A. Campitelli and I. Blazwick, texts by the artist, B. Pietromarchi, D.F. Herrmann, G. Guercio, B. Schwabsky, and I. Bernardi, catalogue of works exhibited in the two venues of the travelling exhibition with entries by M. Disch, selected bio-bibliographical appendices.

24 x 16.2 cm, 160 pp., b/w and col. illustrations, in Italian and English. Number 1 in the series In tema published by the Fondazione Giulio e Anna Paolini. Cover design and concertina foldout at the back of the book by the artist; foldout with gradually reduced multiplication of a grid of photographs showing the artist as he makes Vedo (la decifrazione del mio campo visivo) at Studio Marconi, Milan, in 1973. Foreword by M. Disch, texts on the theme of seeing and gazing by E. Franz, E. Volpato, J. Meinhardt, and R. Venturi.

21 x 13.2 cm, 80 pp., b/w and col. illustrations, in Italian and English. Number 2 in the series In collezione published by the Fondazione Giulio e Anna Paolini. Cover design and concertina foldout at the back of the book by the artist; foldout with full-page reproduction of Studio per “Delfo (IV)”, 1997. Text by the author on Delfo (IV), 1997, bibliography related to the work analysed.

24 x 22 cm, 96 pp., b/w and col. illustrations, in Italian and English. Cover design by the artist with reproduction against a grey background of two eighteenth-century valets – one on the front cover, the other on the back cover – associated with a sequence of alternating full and void squares. Text by the artist on the exhibition, exhibition views by A. Osio, texts by B. Della Casa, F. Jarauta, and B. Cinelli, entries on the works exhibited by M. Disch, biographical note.

24 x 16.8 cm, staple binding, 32 pp., b/w and col. illustrations. Interview with the artist by F. Sardella, text by the artist, catalogue of works exhibited, biographical note, selected exhibition history.

21 x 13.2 cm, 96 pp., b/w and col. illustrations, in Italian and English. Number 3 in the series In collezione published by the Fondazione Giulio e Anna Paolini. Cover design and concertina foldout at the back of the book by the artist; foldout with project inspired by the work that is the topic of the book. Text by the author on Senza titolo, 1961, bio-bibliographical appendices related to the work analysed.

29 x 21.2 cm, 80 pp., b/w and col. illustrations, in Italian and English. Foreword by A. Zanni, texts by E. Coen and F. Fergonzi, interview with the artist by F. Minervino, Opere section with catalogue of works exhibited and three entries by M. Disch interspersed with four notes by the artist, biographical note.

24 x 16.2 cm, 168 pp., b/w and col. illustrations, in Italian and English. Number 2 in the series In tema published by the Fondazione Giulio e Anna Paolini. Cover design and concertina foldout at the back of the book by the artist; foldout with drawing of squared outlines on the full-page reproduction of the painting The Tribuna of the Uffizi, 1776, by Johan Joseph Zoffany, divided and reassembled in a new image. Texts by C. Zambianchi, D. Viva, D. Soutif, and S. Bann on the artist’s relationship with art history, the citation, and the past.

21 x 13.2 cm, 96 pp., b/w and col. illustrations, in Italian and English. Number 4 in the series In collezione published by the Fondazione Giulio e Anna Paolini. Cover design and concertina foldout at the back of the book by the artist; foldout with sequence of photographs portraying the artist as he installs Lo spazio at the Galleria Arco d’Alibert, Rome, in 1968. Text by the author on Lo spazio, 1967, bio-bibliographical appendices related to the work analysed.

28 x 24 cm, 168 pp., b/w and col. illustrations, in Italian and English. Four-panel cover designed by the artist, on the front cover reproduction of several spectators before a lowered stage curtain; at the centre, a rectangular die-cut in the area corresponding to a gilded frame reveals the drawing of the diagonals (in red) and the orthogonal axes (in black) printed on the inside of the first panel and alluding to the squaring of the artist’s first work Disegno geometrico, 1960. Introductory texts by G. Benedetti and B. Della Casa, Opere 1972-2016 section corresponding to the exhibition in the Pero location with text by L. Conte, exhibition views by A. Osio; Fine 2016 section corresponding to the exhibition in the Corso Monforte location, with text by S. Menegoi, exhibition views by A. Osio, text by the artist; Prima e dopo la Fine: studi 2016-17 section, with reproduction of thirty-seven Studi per “Fine”, 2016-17; list of works exhibited with entries by M. Disch, bio-bibliographical note.

20.9 x 14.8 cm, 242 pp., b/w and col. illustrations. Text by the author on the artist’s production of works on paper (first study on the topic).

26 x 20 cm, 112 pp., b/w and col. illustrations, in Italian and English. Texts by A. Madesani and A. Maggi, biographical note, exhibition history, exhibition views by A. Maniscalco interspersed with the texts.

21 x 13.2 cm, 72 pp., b/w and col. illustrations, in Italian and English. Number 5 in the series In collezione published by the Fondazione Giulio e Anna Paolini. Cover design by the artist. Text by the author on Teresa nella parte di Giovanna d’Arco in prigione (tavola ottica), 1969, bibliography related to the work analysed.

27.2 x 20.5 cm, bound, 80 pp., b/w and col. illustrations, Italian and English editions. Letter to the artist by C. and P. Repetto, text by A. Cortellessa, catalogue of works exhibited with text by the artist, extract from the text La squadratura by I. Calvino (1975), notes by P. Repetto.

Two volumes with dust jacket featuring embossed lettering in silver, 24 x 17 cm, in Italian and English.
Vol. 1 La mostra: 192 pp., b/w and col. illustrations, text by the artist, F. Stocchi, I. Rota, and L. Skrebowksi, conversation between the artist and F. Stocchi, exhibition views by A. Osio, catalogue of works exhibited, biographical note. Vol. 2 Nella vita: 116 pp., b/w illustrations, biography by images edited by the artist.

21 x 13.2 cm, 128 pp., b/w and col. illustrations, in Italian and English. Number 6 in the series In collezione published by the Fondazione Giulio e Anna Paolini. Cover design and concertina foldout at the back of the book by the artist; foldout with project inspired by the work that is the topic of the book. Text by the author on Disegno geometrico, 1960, anthology of artist’s statements, bio-bibliographical appendices related to the work analysed.

31 x 23 cm, 48 pp., b/w illustrations. Monographic issue dedicated to Paolini’s work as a graphic designer edited by the artist himself, including a poster 59.4 x 42 cm, specially created, with reproduction of Quadricromia, 2020. Editorial by E. Fiorin, texts by M. Belpoliti, V. Russo, and the artist, anthology of graphic works 1962-2018.

Two volumes with three-fold hardcover dust jacket 30.8 x 25 cm by the artist, roll folded, on the inside full-page reproduction of Senza titolo, 2020, in Italian and English. Cover design of both volumes by the artist.
Vol. 1 “Le Chef-d’œuvre inconnu”: 96 pp., col. illustrations; note by the artist, texts by C. Christov-Bakargiev and M. Beccaria, exhibition views by A. Osio interspersed between the texts, list of works exhibited, exhibition history of Disegno geometrico, 1960, biographical note, exhibition history of the artist at the Castello di Rivoli from 1984 to 2020. Vol. 2 Recital: 64 pp., b/w illustration; text by A. Cortellessa, anthology of writings in verse 1987-2020.

23 x 19 cm, 96 pp., b/w and col. illustrations. Number 8 in the series I Grandi illustrati del Corriere della Sera. Arte contemporanea – I protagonisti published by Corriere della Sera. Texts by the editor, biography, entries on works by C. Casu.

19 x 14 cm, 168 pp., b/w and col. illustrations, Italian and English editions. Texts by the artist, S. Risaliti, B. Della Casa, F. Ferrari, S. Zuliani, and E. Francioli, short primer with texts by the artist (extracts from his books Dall'Atlante al vuoto in ordine alfabetico, 2010, and La Verità in quattro righe e novantacinque voci, 1996), entries on the works exhibited by B. Della Casa and M. Disch, exhibition views by Ela Bialkowska OKNO Studio and Alessandra Cinquemani interspersed with the texts, biographical note.

25 x 17 cm, 80 pp., b/w and col. illustrations, in Italian and English. Writings in verse by the artist (2007-2016), text by F. Guzzetti on Era finora, 2021, biographical note.

18.4 x 26.5 cm, 160 pp., b/w and col. illustrations. Text by the artist on Giulio Einaudi, texts by P. Repetto, F. Poli, G. Schiavon, I. Calvino (1975), A. Cortellessa, C. Pavese, M. Einaudi Humes, catalogue of works exhibited, biographical note.

25 x 25 cm, 320 pp., b/w and col. illustrations. Introduction by M. Tirelli, texts by C. Strinati, the artist, A. Soldaini, F. Guzzetti, interview with the artist by A. Soldaini, exhibition views by A. Veneri, illustrated anthology of solo exhibitions 1964-2022, back matter with index of illustrations.

28 x 21 cm, 96 pp., b/w and col. illustrations. Texts by F. Rossi, P. Nuzzo, S. Raimondi, the artist, catalogue of works exhibited with texts by C. Gatti, E. Zanella, C. Riva, G. Di Pietrantonio, D. Isaia, L. Balbi, M. Beccaria, E. Barisoni, P. Nuzzo, texts by B. Benedetti, B. Della Casa, biographical note by M. Disch.

21 x 14.8 cm, 51 pp., col. illustrations, in Italian and English. Issue designed by Giulio Paolini with Paola Lenarduzzi. Texts and illustrations by the artist, biographical note, note by P. Lenarduzzi.