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Studio per “Tout ce qu’il y a de beau en Italie”, 1986

GPC-0694

Study for “Tout ce qu'il y a de beau en Italie”

Collage on paper

70 x 50 cm

Present whereabouts unknown

Austen Henry Layard, Artist recording Assyrian bas-reliefs, 1849, engraving; reproduction from Res 9 (Cambridge University Press), Spring, 1985.
Perspective drawing: Jan Vredeman de Vries,
Perspective (Leiden-The Hague: Beuckel Nieulandt for Hendrick Hondius, 1604-05); reproduction from Jan Vredeman de Vries, Perspective (New York: Dover Publications, 1968), n. pag.
Title from Francis Haskell, Nicholas Penny,
Taste and the Antique: The Lure of Classical Sculpture 1500-1900 (New Haven: Yale University Press, 1982), VI chapter.

1986 Radda in Chianti, Castello di Volpaia, Ultime, 6-21 September, col. repr. no. 65.
1989 Milan, Le Case d’Arte, Giulio Paolini, [unknown dates] 1989.
G. Paolini, Suspense. Breve storia del vuoto in tredici stanze (Florence: Hopeful Monster editore, 1988), repr. p. 77.
M. Bandini, M. C. Mundici, M. T. Roberto, Luciano Pistoi: “inseguo un mio disegno” (Turin: Hopefulmonster editore, 2008), repr. p. 326.
Entry by Ilaria Bernardi and Maddalena Disch, 03/07/2026