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Studio per “Enfin seuls”, 1980
GPC-0566
Study for “Enfin seuls”
Pencil and collage on paper
50 x 70 cm
Present whereabouts unknown
Figure from Antonio Sandre, Il costume nei tempi (Turin: Scuola Taglio Moderno, 1961), p. 268, fig. 299 (”Da ‘Minister’s Gazette of fashions’, 1925-30”), with the transformation of the original jacket into a tailcoat.
| • | Giulio Paolini, exhibition catalogue, Amsterdam, Stedelijk Museum, 1980, repr. p. 63 (with technique referring to the version on wall). |
| • | Giulio Paolini, exhibition brochure, Oxford, The Museum of Modern Art, 1980, repr. |
| • | Giulio Paolini. Werke und Schriften 1960-1980 (Lucerne: Kunstmuseum Luzern, 1981), repr. no. 6. |
| • | Unione musicale. Stagione di concerti 1983-84 (Turin: Unione Musicale, 1983), repr. p. 156. |
| • | Il modo italiano, exhibition catalogue, Los Angeles, Los Angeles Institute of Contemporary Art, 1984, vol. 1, repr. no. 8 p. 124. |
| • | Coerenza in coerenza. Dall’Arte Povera al 1984, exhibition catalogue, Turin, Mole Antonelliana (Milan: Arnoldo Mondadori Editore, 1984), repr. no. 4 p. 88. |
| • | L’œil musicien. Les Ecritures et les Images de la Musique, exhibition catalogue, Charleroi, Palais des Beaux-Arts (Bruxelles: Editions Lebeer-Hossmann, 1985), repr. p. 91. |
| • | Il modo italiano. Italian Design and Avant-Garde in 20th Century, exhibition catalogue, Montréal, Musée des Beaux- Arts, vol. 1, repr. p. 125. |
| • | G. Paolini, La verità in quattro righe e novantacinque voci, edited by S. Risaliti (Turin: Giulio Einaudi editore, 1996), repr. as a faded background image to the entry for “Società”, pp. 172-173. |
Entry by Ilaria Bernardi and Maddalena Disch, 02/10/2026
