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GPC-0634

Untitled

Collage on paper

50 x 70 cm

Present whereabouts unknown

Figure at the lower centre: Wounded Amazon, Roman copy from the Imperial Age of a 5th century BC Greek original, marble, h 202 cm, Musei Capitolini, Rome; reproduction from Roloff Beny Interprets in Photographs Pleasure of Ruins by Rose Macaulay (New York: Holt, Rinehart and Winston, 1977), p. 211 (“Tivoli Vecchio, Italy, The Canopus of Hadrian’s Villa”).
Figure at the centre:
Sleeping Hermaphroditus, 2nd century AD Roman copy of a 2nd century BC original, marble, Musée du Louvre, Paris; reproduction from Francis Haskell, Nicholas Penny, Taste and the Antique: The Lure of Classical Sculpture 1500-1900 (New Haven, Connecticut: Yale University Press, 1981), p. 234, fig. 120 (“Hermaphrodite”).
Image of the ruins from Rose Macaulay, The Pleasure of Ruins (London: Thames and Hudson, 1977), p. 72.

1982 Paris, Galerie Yvon Lambert, Giulio Paolini. Hierapolis, 20 November - 22 December.
G. Paolini, R. Denizot, De bouche à oreille / Hearsay (Paris: Yvon Lambert, 1982), repr. n. pag.
Giulio Paolini, vol. Images/Index (Villeurbanne: Le Nouveau Musée, 1984), repr. p. 118.
Giulio Paolini. “Tutto qui”, exhibition catalogue, Ravenna, Pinacoteca Comunale, Loggetta Lombardesca (Ravenna: Agenzia Editoriale Essegi, 1985), repr. no. 36.
G. Paolini, Suspense. Breve storia del vuoto in tredici stanze (Florence: Hopeful Monster editore, 1988), repr. p. 210.
Entry by Ilaria Bernardi and Maddalena Disch, 26/06/2026