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Studio per “Tout ce qu'il y a de beau en Italie”, 1986
GPC-0698
Study for “Tout ce qu’il y a de beau en Italie”
Collage on paper
70 x 50 cm
Signed and dated on the verso, centre: “Giulio Paolini / 1986”
Private collection, Vicenza
• Austen Henry Layard, Artist recording Assyrian bas-reliefs, 1849, engraving; reproduction from Res 9 (Cambridge University Press), Spring, 1985.
• Eye: engraving portraying the interior of the theatre at Besançon designed by Claude-Nicolas Ledoux; reproduction from Claude Nicolas Ledoux, L’Architecture 2 (Paris: 1804), p. 113.
• Title from Francis Haskell, Nicholas Penny, Taste and the Antique: The Lure of Classical Sculpture 1500-1900 (New Haven: Yale University Press, 1982), VI chapter.
| 1986 | Radda in Chianti, Castello di Volpaia, Ultime, 6-21 September, not repr. |
| 1989 | Milan, Le Case d’Arte, Giulio Paolini, [unknown dates] 1989. |
| 2010-11 | Turin, Galleria Biasutti & Biasutti, Energie Materiali poveri Concetti, 12 November 2010 - 22 January 2011, cited in the checklist of exhibited works p. 74 (titled "Senza titolo"), col. repr. pp. 44 (detail), 74. |
Entry by Ilaria Bernardi and Maddalena Disch, 03/07/2026
